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Pictures and videos used on this site are all borrowed (well not all, some are actually mine) for everyone's viewing pleasure.  They are not being used in a malicious matter, it is all in good fun and most likely to promote the good stuff found.  Please don't threaten to sue, just ask me to take it down if it is a bother.  If not, thanks for the borrow!!!
Showing posts with label boyz II men. Show all posts
Showing posts with label boyz II men. Show all posts

Friday, June 20, 2008

Motownphilly Is Still Here...

"It's long overdue, but now Philly's slamming..."  Motownphilly - Boyz II Men



PHILLY HAS ALWAYS BEEN SLAMMIN'!!!  Check out my girl Virant Thang's write up on the Philly movement here.  I know this group knows where they evolved from, there is no denying that.  And I am also aware of the fact that they were talking about the artist's on Michael Biven's Biv 10 label, it was all about the East Coast Family.  It doesn't matter what moniker she goes by, Philly, Tha Illadelph, Ms. Philadelphia, PHILADELPHIA–she is the home of some of the wickedest soul music on earth.  But today, I decided to go with "hip-hop, smoothed out on an r&b tip, with a pop feel, appeal to it."  And yes I know the above quote was from BBD, but this group brought the same groove.  The album of the week is:

Michael Bivins couldn't help but sign Boyz II Men when they snuck into his dressing room and auditioned for him on the spot, showing their chops with an accapella version of "Can You Stand The Rain".  From tenor to bass, they had it and their harmonizing said it all.  Learning from and admiring exceptional artists such as The O'Jays, The Temptations, The Stylistics and of course their idol New Edition, helped morph this group into what they were and what they have become.  From the style, the routines and the harmonizing–Boyz II Men were on point.  It was meant to be just Wanya, Shawn, Michael and Nathan.  I really can't seem to fit Marc Nelson into the equation at all to be honest.  Perhaps his part was to be included with Az Yet and that is that.  Besides, he was the one who wanted a solo career in the first place.  Oh well, it is what it is.

The quartet went on to deliver Cooleyhighharmony an album full of heavy beats and smooth harmonies.  It really can't get any better than that.  I dished out some heavy funds to attend their concert in Montreal.  Montel Jordan opened for him (I still can't get over Montel's moves, he did the damn thing!) and they tore down The Forum, no joke.  My most memorable moment, was when they turned The Forum into a starry chasm all sparkly and lit up to sing, I believe (it was so long ago, anyone can correct me if I am wrong) "On Bended Knee".  It was beautiful.  And the Boyz serenaded and did what they do–brought the house down.  This album is another back to back gem, one of the few that can get a good play from beginning to end.  At the time, I purchased the album on cassette.  When I purchased the CD is when I realized that the slow tracks came before the upbeat tracks and it actually bothered me!  I guess I was actually playing the cassette backwards all this time, but hey, I lived with it.  What better track to open with but "Please Don't Go"?  And lord, I am a HUGE Wanya fan (didn't want that Brandy chick ANYWHERE near my man), so anything he belts out is alright with me.  "Lonely Heart" and "This Is My Heart" were all about the love.  "Uhh Ahh" is sexy as all hell, both the album and the remix versions and "It's So Hard To Say Goodbye" is still hard for me to hear because of it's correlation to a friend's burial, but it is an oldie but a goodie nonetheless.  Then we break into the upbeat, get-your-ass-on-the-floor tracks one after the other, it's non stop goodness.  "Motownphilly", "Under Pressure", "Sympin" and then the flow starts to mellow out a bit with "Little Things" (which I think is my favorite song on the album, because it rings so true) and lastly "Your Love".  What I really loved about this group, is that all of the singers had their turn on the mic.  Everyone had mic time and showed their talent, those who could sing background, did so and vice versa.  It was a great change of pace from one person singing lead all the god forsaken time.

Boyz II Men went on to become the most successful male vocal group of all time.  60 million records and counting, 5 Grammys, breaking chart records, collabos with Mariah Carey, LL Cool J and so forth, they are still doing their thing,  In total, they have released 8 albums and a new release seems to be in the works for sometime this year.  Michael left the group (the bass) because of back issues he was dealing with from scoliosis.  It's not easy, trust me I overstand as I have gone through the ordeal with my younger sister.  Boyz II Men are surely missed on the big scale of things in my book.  They were the good old boys next door that your parents didn't mind you listening to.  Can we say that today about any male soul groups?  Not really–disheartening but true.  Don't get me wrong, they are still touring, still have a strong following, still singing and releasing records.  They love what they do and continue to deliver good music, BUT I would much rather see them at a big or intimate venue rather than at the local casino.  Know what I mean?  You can find out more about their movements on their MySpace page.

Flashback of the day:  Well I wanted to pick my favorite Boyz II Men song, but it is not from this album.  And by custom, I always choose a song from the aforementioned album.  So with that said, here is the choice.  Look for Philly alumni in the vid!...ENJOY!  


Let me know your favorite Boyz II Men song.  Have a great weekend...

Tha Connoisseur 

Tuesday, February 19, 2008

Soul Music Is Not Going Anywhere!



"I'll be your freakazoid, c'mon and wind me up"  Midnight Star - Freakazoid


It has been a busy weekend ladies and gentlemen, at times I thought I would have to be wound up to go on.  But I wanted to get back to tackle the questionable debate between Aretha Franklin and Beyonce that took place at the Grammys.

Now, for those of you who do not know - Ms. Franklin had a problem with the Grammy's and Beyonce.  The problem was, Aretha did not like the fact that Beyonce referred to Tina Turner as "The Queen" during her dazzling prelude to her performance with Tina Turner.   Ms. Franklin referred to the snag as being "toe stepped", but gave her thanks to the Grammy's and Beyonce "anyway".


Being the daughter of an extreme connoisseur of music and elite Aretha Franklin fan (my sister's name is Aretha), I do respect the artist.  However, how can one be so trivial?  Beyonce referred to Tina Turner as The Queen, because she is one of the best.  She did not say the "Queen of Soul", where of course that would be an insult and mistake on Beyonce's part.  And then to add the snide remark "thanks to the Grammy's and Beyonce anyway" was just a kick in the teeth.   I feel that Aretha was being extremely petty about the situation.  And I am glad that Beyonce's camp has not set out to make a big deal out of it.  So I dare ask, were there grounds for Aretha's comments?  And are there grounds for mine?  Let me know what you think.

On a much more melodic note, last night I attended the Jazzy Soul Collective concert at BB Kings in Time Square.  The bill consisted of 4 independent artists who are working hard at bringing love back to soul music.  Saxophonist Jimmy Sommers with R&B artists Vikter Duplaix, Gordon Chambers and Lynne Fiddmont took to the stage.  Each brought their own style and vibe to the venue.  A vibe that cannot be mistaken.  To all who are aching for a good dose of soul music, please take heed to the above artists.  Independent artists are doing very well for themselves, so we do need to continue to support their grind.  Vikter Duplaix (who may I add I am in love with) was just nominated for a Grammy, which is a big step for an independent artist.  And Gordon Chambers is a Grammy award winning writer (Anita Baker, Isley Brothers etc) as well as a gifted singer.  Please take note that the music listed above is for ADULTS ONLY!  It is for those who know and were raised on the Isley Brothers, Luther Vandross and Teddy Pendergrass.  For those of us who enjoy a real ballad and a real love song, these are the artists for you.

Here is a snippet of Gordon Chambers channeling his Al Green:





And of course,  I have to leave you with the video of the day.  I think this is one of their best, although I am sure some will beg to differ.  Smooth and mellow, what they do best.



On that note, I bid thee farwell for today.  I will be back soon with some more news on the horizon.  

Tha Connoisseur